b. 1984, Montgomery, AL Artist-in-Residence at the Studio Museum in Harlem
Artist Statement I am interested in the unnerving possibility of multiple meanings, dual perceptions, and limitlessness in the seemingly binary. Drawing repeatedly allows me to fully understand objects in space, while defining and redefining my own racial landscape.
For me, racial identity has neither been instantly formed nor conjured in isolation. Rather, identity entangles memory: actual and revisited, cultural and historical, individual and collective. Through the dissolution of dichotomies and exploration of language, this work recalls moments in the formation of my racial identity. And each re-worked mark is yet another attempt to navigate the binary paradigm of race in the American South.
From the earlier White Noise to more recent Southern Review series, each new body of work borders on an obsessive preoccupation with language- its ability and inability to negotiate a way of being in the world. But I have found in my practice a delight in these obsessive preoccupations. And in the solutions they slowly, ever so slowly, but inevitably offer.
Bound, 1968, 2015, Dimensions variable, American Masters paper and Pink Pearl eraser